Tag: Disney

Walt Before Mickey – Exclusive Trailer

From our friends over at DisneybyMark.

Walt Before Mickey, is a big screen movie about the life of a simple man with a big dream: Walt Disney. Set in the early 1900′s, the film is based on the book Walt Before Mickey that chronicles Walt’s early years and his rise to success. This feature film is being produced by Armando Gutierrez (Henry & Me), Jeff Rice (Executive Producer of End Before Watch, 2 GUNS, Broken City, Lone Survivor), Christian Vogeler (Silver Linings Playbook), Arthur Bernstein (Hitters Anonymous), Ben Everard (Keeping Time), and directed by Ari Taub (Last Letters of Monte Rosa).

The hardcover book Walt Before Mickey, written by Timothy Susanin, and its forward written by Diane Disney Miller, was the only book ever supported by the Disney family. “Walt remains a 20th century icon, and I am happy Armando is bringing his incredible story to the big screen,” says Timothy Susanin. “‘Walt Before Mickey’ is a fresh take on a classic American ideal, exploring a part of Walt Disney’s life that little is known about,” says Armando Gutierrez. A release date has not been set.

The film’s website is http://waltbeforemickey.com/index.html

Walt Before Mickey is a feature film production of The Dreamer Movie, llc. and is based on the book Walt Before Mickey by Timothy Susanin with foreword by Diane Disney Miller. This company is not associated with the Walt Disney Company

A second Biopic of Walt Disney is out. From Cartoon Brew.

As Dreamers Do, directed by Logan Sekulow (God Bless Vegas) and written by Wendy Ott, is described as “an art film for families.”

“This movie is a passion project for me,” Sekulow said in a recent press release. “Since before I went into film school, I dreamed of telling a story like this. Walt has been a lifelong inspiration, and I hope to share this often-untold adventure in a unique, creative and entertaining way. I’m a hardcore Walt fan, and we will not disappoint.”

It stars Olan Rogers as Walt Disney, Mark Stuart and Tyler Hayes as his parents Elias and Flora Disney, Ryan Dunlap as his brother Roy and William Haynes as Disney’s friend/business partner Ub Iwerks. Country crooner Travis Tritt narrates the film. Filming began earlier this month in Franklin, Tennessee, with a spring release date planned. The production is being documented on the official Facebook and Twitter pages.

Robin Williams in Back to Neverland

Robin Williams, Walter Cronkite and Jerry Rees prepare for the opening scene.

From JerryRees.com Go there for more great photos and information. I worked with Jerry Rees when I was at Walt Disney Imagineering. His is a very talented guy and is best known for the delightful Brave Little Toaster. He went to Cal Arts.

Written & Directed by Jerry Rees

Starring Robin Williams & Walter Cronkite

This award winning short film, combining live action and animation, played in the main theater at Disney/MGM Studios’ Animation Pavilion. Walter Cronkite, in his familiar role of trusted newscaster, set out to reveal the secrets behind Disney animation. Robin, in the role of Disney World tourist, volunteered to help with Walter’s show-and-tell. With a twinkle in his eye, Walter called on his assistant Tinkerbell to transport them to a magical limbo where anything could happen.

Step by step, Robin was transformed into an animated character – a Little Lost Boy from the classic film Peter Pan. Robin suddenly found himself facing the notorious Captain Hook. Experiencing everything from utter fear, to total joy, Robin learned that strong and believable emotions have always been at the heart of the Disney animation.

Rees, who began his career as a Disney Feature Animator, sums it up this way; “It’s not how you move the drawings, it’s how the drawings move the audience.”

Roy Disney, nephew of Walt Disney, and devoted keeper of the family legacy, discusses storyboards for the Captain Hook showdown with “Back to Neverland” Director Jerry Rees.

 

Lucid Dreams of Gabriel – Teaser

From Variety,

Disney and Swiss pubcaster SRF unveil experimental short at Locarno fest.

At the Locarno Film Festival, the Disney lab and SRF jointly unveiled an impressive experimental short titled “Lucid Dreams of Gabriel” (see teaser) which for the first time displayed local frame variation, local pixel timing, super slow motion effects, and a variety of artistic shutter functions showcasing this “The Flow-of-Time” technique.

The project was created by the Disney Research lab in tandem with the formidable computer graphics lab at the Swiss Federal Institute of Technology Zurich (ETH) with SRF providing studio space, personnel, and other resources.

“We wanted to control the perception of motion that is influenced by the frame rate (how many images are shown per second) as well as by the exposure time,” said Markus Gross, who is Vice President Research, Disney Research and director of Disney Research, Zurich, at the presentation.

Use of the new technologies in the short, which is a surreal non-linear story about a mother achieving immortality in her son’s eyes after an accident in the spectacular Engadin Alpine valley, allowed director Sasha A. Schriber to avoid using green screen and to make the transition from reality (at 24 frames per second) to a supernatural world (at 48 frames per second).

“Lucid Dreams Of Gabriel,” an experimental short film created by Disney Research in collaboration with ETH, Zurich, was shot at 120fps/RAW with all effects invented and applied in-house at Disney Research Zurich. We sought to produce a visual effects framework that would support the film’s story in a novel way. Our technique, called “The Flow-Of-Time,” includes local frame rate variation, local pixel timing and a variety of artistic shutter functions.

Effects include:
•High dynamic range imaging
•Strobe and rainbow shutters
•Global and local framerate variations
•Flow motion effects
•Super slow motion
•Temporal video compositing

The following scenes of the teaser, indicated by the timecode, demonstrate different components of our new technology:

Shots with a dark corridor and a window (0:08); a man sitting on a bed (0:16):
Our new HDR tone-mapping technique makes use of the full 14 bit native dynamic range of the camera to produce an image featuring details in very dark as well as very bright areas at the same time. While previous approaches have been mostly limited to still photography or resulted in artifacts such as flickering, we present a robust solution for moving pictures.

A hand holding a string of beads (0:14):
As we experimented with novel computational shutters, the classic Harris-shutter was extended to make use of the full rainbow spectrum instead of the traditional limitation to just red, green, and blue. For this scene, the input was rate converted using our custom technology, temporally split and colored, then merged back into the final result.

The double swings scene (0:20):
Extending on our experiments with computational shutters, this scene shows a variety of new techniques composed into a single shot. Fully facilitating the original footage shot in 120 fps, the boy has been resampled at a higher frame rate (30fps) and a short shutter, resulting an ultra crisp, almost hyper-real appearance, while the woman was drastically resampled at a lower frame rate (6fps) featuring an extreme shutter which is physically not possible and adding a strong motion blur to make her appear more surreal.

Car driving backwards and a flower (0:30); a train (0:36),
For these scenes, we were experimenting with extreme computational shutters. The theoretical motion blur for the scenes was extended with a buoyancy component and modified through a physical fluid simulation, resulting in physically impossible motion blur. As shown, it is possible to apply this effect selectively on specific parts of the frame, as well as varying the physical forces.

Super slow motion closeup of the boy (0:44); a handkerchief with motion blur and super slow motion (0:47); an hourglass (0:50):
These shots show the classical application of optical flow – slow motion. However, with our new technology we have been able to achieve extremely smooth pictures with virtually no artifacts, equivalent of a shutter speed at 1000 fps. At the same time, artificial motion blur equivalent of a shutter of far more than 360 degrees can be added to achieve a distinct “stroby” look, if desired, while maintaining very fluent motion in all cases. We are also able to speed up or slow down parts of the scene, e.g. to play the background in slow-motion while the foreground runs at normal speed. All of these effects can be applied on a per-pixel basis, thus giving full freedom to the artist.

Additional info on the film:

“Lucid Dreams Of Gabriel” is a surrealistic and non-linear story about a mother achieving immortality through her son, unconditional love, and the fluidity of time.

Producer: Markus Gross
DOP: Marco Barberi
Script & Director: Sasha A. Schriber
Camera & lenses: Arri Alexa XT with Zeiss prime lenses
Original language: English
Length: 11 minutes

Leslie Iwerks Creating Documentary About Walt Disney Imagineering

Disney plans to pull back the curtain on its Imagineers with a feature-length documentary that explores the history of the division behind the designs of its theme park rides and other attractions.

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A113—it had no windows and no door.

Very interesting article from Vanity Fair about the very talented Cal Arts students that went on to do so much.

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