Here are some audio and video clips showing how theme park sound is done.
Director Joe Dante (Gremlins) talks about the time he developed a film about Golden Age Hollywood animators called Termite Terrace, the unglamorous nickname of the Warner Bros. animation studio in the 1930s.
The BFI National Archive and Walt Disney Animation Studios are pleased to announce the rediscovery of a rare, long-lost, Walt Disney animated film, Sleigh Bells (1928) featuring the first ever Disney character, Oswald the Lucky Rabbit, a long-eared precursor to Mickey Mouse.
Given the proliferation and popularity of digital devices, real-world activities like coloring can seem unexciting, and children become less engaged in them. Augmented reality holds unique potential to impact this situation by providing a bridge between real-world activities and digital enhancements.
What has three letters, many aliases and is of major significance to the sound community? You guessed it: ADR aka Automated Dialog Replacement aka Additional Dialog Recording aka Dubbing aka Looping. All of these monikers are understood as the process of re-recording dialog that cannot be salvaged from a production. To make one thing clear, there is nothing automated about it. ADR is an art.
"I can put goggles on and I just step into the paper and now I'm drawing in it," Keane says. "Today, all the rules have changed."
Photo Credit Mr. Fun’s Journal
Floyd Norman: An Animated Life is a feature-length look the prolific animator and story artist’s life from growing up in Santa Barbara, CA to his years working as an animator at Disney, Hanna-Barbera, Pixar and more. The undisputed “Forrest Gump” of the animation world, Norman was hired as the first African-American at Disney in 1956. He would later be hand-picked by Walt Disney himself to join the story team on the Jungle Book. After Disney’s death, Norman left the studio to start his own company to produce black history films for high schools. He and his partners would later work with Hanna-Barbera, and animate the original Fat Albert Special, as well as the titles to TV mainstay Soul Train.
Norman returned to Disney in the 1980s to work in their Publishing department. And in 1998, he returned to Disney Animation to work in the story department on Mulan. But an invite to the Bay area in the late 90s became a career highlight. Norman was now working with another emerging great: Pixar and Steve Jobs, on Toy Story 2 and Monsters Inc.
Life as an animator is a nomadic one, but Norman spent the majority of his career at Disney, and views it as his “home.” Retired by Disney at age 65 in 2000, the documentary focuses on Norman’s difficulty with a retirement he was not ready for. Not one to quit, Norman chose to occupy an empty cubicle at Disney Publishing for the last 15 years. As he puts it, “[He] just won’t leave.” A term has been coined by Disney employees — “Floydering.” While not on staff, his proximity to other Disney personnel has led him to pick up freelance work, and he continues to have an impact on animation as both an artist and mentor.
Source: Michael Fiore Films
Find out more about Floyd Norman at his blog.
Floyd Norman’s Blog
More at the links below.
I previously wrote about What Lives Inside here.
This is the future folks, computer companies producing a movie to be shown on a streaming service.
Get ready to be taken to a world beyond your imagination. From Academy Award Winner Robert Stromberg, Dell presents What Lives Inside. Starring Academy Award Winner J.K. Simmons, Colin Hanks and Catherine O’Hara. Premiering March 25th only on Hulu.
This is the Episode playlist and some behind the scenes.
Here is the Making of video.
From Disney Research.
Seungmoon Song (Disney Research Pittsburgh)
Joohyung Kim (Disney Research Pittsburgh)
Katsu Yamane (Disney Research Pittsburgh)
IEEE International Conference on Robotics and Automation (ICRA) 2015
May 26, 2015
Our goal is to bring animation characters to life in the real world. We present a bipedal robot that looks like and walks like an animation character. We start from animation data of a character walking. We develop a bipedal robot which corresponds to lower part of the character following its kinematic structure. The links are 3D printed and the joints are actuated by servo motors. Using trajectory optimization, we generate an open-loop walking trajectory that mimics the character’s walking motion by modifying the motion such that the Zero Moment Point stays in the contact convex hull. The walking is tested on the developed hardware system.
Download File “Development of a Bipedal Robot that Walks Like an Animation Character-Paper”
[PDF, 1.42 MB]
Inspired by the beloved classic, Kahlil Gibran’s The Prophet is a richly-animated story and celebration of Gibran’s book, created by artists, animators and musicians from around the world, written and directed by Roger Allers (The Lion King). Starring Liam Neeson, Salma Hayek-Pinault, John Krasinski, Frank Langella, Alfred Molina, John Rhys-Davies and Quvenzhané Wallis.
For a gallery of the artwork click here.
To learn more about the film, visit gibransprophetmovie.com.