Interview with Walter Murch who received the Camerimage festival’s Special Award to Editor with Unique Visual Sensitivity. He edited sound on American Graffiti and The Godfather: Part II, won his first Academy Award nomination for The Conversation, won his first Oscar for Apocalypse Now, and won an unprecedented double Oscar for Best Sound and Best Film Editing for his work on The English Patient.
Tag: Walter Murch
Synthesizers in the Movies
Hans Zimmer and his Moog Modular Composer Neil Brand celebrates the art of cinema music, Neil explores how changing technology has taken soundtracks in bold new directions and even altered our very idea of how a film should sound. In the last of three programmes in which composer Neil Brand celebrates the art of cinema music, […]
The Lady from Shanghai (1947) Update:The new Orson Welles documentary MAGICIAN starts in Los Angeles and New York City on December 10th! More info: http://cohenmedia.net/films/magician Magician: The Astonishing Life and Work of Orson Welles looks at the remarkable genius of Orson Welles on the eve of his centenary – the enigma of his career as a […]
Special thanks to The Soundworks Collection for this video. “Ray Dolby was a brilliant scientist whose inventions are in use every day in recording studios, sound editing suites, mix stages and cinemas worldwide,” said MPSE president Frank Morrone. “He was a giant in our industry and we take great pride is saluting his many contributions […]
Particle Fever follows six brilliant scientists during the launch of the Large Hadron Collider, marking the start-up of the biggest and most expensive experiment in the history of the planet, pushing the edge of human innovation.