Recently TCM played some of the Gordon Parks films, Shaft (1971) and The Super Cops (1974). Both held up very well and you could see many creative influences they had on other early 70’s movies like Dog Day Afternoon and French Connection.
Among his other talents he also wrote songs and poetry. Like Stanley Kubrick he started as a photographer before becoming a director. That explains the great shots and cinematography in these movies.
In the late ’60s and early ’70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances–including the director’s decision to compose an autobiography that he never got around to writing–kept the interviews out of the public eye. Finally edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles’s craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed.
The Smithsonian’s National Air and Space Museum will exhibit “The Great Picture” . The 3,375-square-foot photograph of an abandoned Marine Corps air station in Southern California was taken by the largest pinhole camera in the world.