Here are some audio and video clips showing how theme park sound is done.
Tyrus Wong, the Chinese-American artist who was the production designer of Disney’s classic feature Bambi (1942), passed away today at the age of 106.
My recent interview with the LA Times about Disney Imagineering.
Visitors to a new exhibition at The Dali Museum won’t just be looking at art. They’ll be exploring a Dali painting in a three-dimensional world that turns art into an immersive experience.
What has three letters, many aliases and is of major significance to the sound community? You guessed it: ADR aka Automated Dialog Replacement aka Additional Dialog Recording aka Dubbing aka Looping. All of these monikers are understood as the process of re-recording dialog that cannot be salvaged from a production. To make one thing clear, there is nothing automated about it. ADR is an art.
"I can put goggles on and I just step into the paper and now I'm drawing in it," Keane says. "Today, all the rules have changed."
Photo Credit Mr. Fun’s Journal
Floyd Norman: An Animated Life is a feature-length look the prolific animator and story artist’s life from growing up in Santa Barbara, CA to his years working as an animator at Disney, Hanna-Barbera, Pixar and more. The undisputed “Forrest Gump” of the animation world, Norman was hired as the first African-American at Disney in 1956. He would later be hand-picked by Walt Disney himself to join the story team on the Jungle Book. After Disney’s death, Norman left the studio to start his own company to produce black history films for high schools. He and his partners would later work with Hanna-Barbera, and animate the original Fat Albert Special, as well as the titles to TV mainstay Soul Train.
Norman returned to Disney in the 1980s to work in their Publishing department. And in 1998, he returned to Disney Animation to work in the story department on Mulan. But an invite to the Bay area in the late 90s became a career highlight. Norman was now working with another emerging great: Pixar and Steve Jobs, on Toy Story 2 and Monsters Inc.
Life as an animator is a nomadic one, but Norman spent the majority of his career at Disney, and views it as his “home.” Retired by Disney at age 65 in 2000, the documentary focuses on Norman’s difficulty with a retirement he was not ready for. Not one to quit, Norman chose to occupy an empty cubicle at Disney Publishing for the last 15 years. As he puts it, “[He] just won’t leave.” A term has been coined by Disney employees — “Floydering.” While not on staff, his proximity to other Disney personnel has led him to pick up freelance work, and he continues to have an impact on animation as both an artist and mentor.
Source: Michael Fiore Films
Find out more about Floyd Norman at his blog.
Floyd Norman’s Blog
More at the links below.
Photo courtesy Chuck Pharis
Two of my favorite things are Disneyland and Television. In celebration of Disneyland’s 60th anniversary I decided to post the behind the scenes ABC video showing the technical preparations. Below is the actual show from opening day itself. You can see how far TV and Disneyland have come over the years. Thanks to Eyes Of A Generation and Chuck Pharis for the photos and videos.
Photo of Walt Disney from Disney Parks Blog. Copyright Disney
The ABC television network filmed this documentary about the preparation for Disneyland’s opening day broadcast for an audience of ABC affiliates. It was shown to them over closed circuit (not broadcast) television. Now the public can see it as part of this DVD set. It’s fun to see how primitive television technology was in 1955, and how ABC and Disney, then separate companies, managed the ambitious live broadcast of July 17, 1955.
Here is a clip about Walt and Disneyland from the upcoming American Experience special on him.
From Disney Research.
Seungmoon Song (Disney Research Pittsburgh)
Joohyung Kim (Disney Research Pittsburgh)
Katsu Yamane (Disney Research Pittsburgh)
IEEE International Conference on Robotics and Automation (ICRA) 2015
May 26, 2015
Our goal is to bring animation characters to life in the real world. We present a bipedal robot that looks like and walks like an animation character. We start from animation data of a character walking. We develop a bipedal robot which corresponds to lower part of the character following its kinematic structure. The links are 3D printed and the joints are actuated by servo motors. Using trajectory optimization, we generate an open-loop walking trajectory that mimics the character’s walking motion by modifying the motion such that the Zero Moment Point stays in the contact convex hull. The walking is tested on the developed hardware system.
Download File “Development of a Bipedal Robot that Walks Like an Animation Character-Paper”
[PDF, 1.42 MB]
The film is part of the Encounters Short Film and Animation Festival 16 – 21 September 2014 Bristol, UK. Duet will be shown Friday Sept. 19.
Encounters Festival is the UK’s leading short film and animation festival, and the annual meeting place for filmmakers and industry professionals. Based in Bristol, UK, Encounters runs a six day festival in September and its main venues are Watershed and Arnolfini, on Bristol’s scenic Harbourside.
In 2014 Encounters Festival will celebrate its 20th anniversary. DOWNLOAD THE 2014 FESTIVAL GUIDE HERE.
Duet will be shown VIEW Conference in Turin, Italy in a presentation called The Duet of Tech and Art – How technology and artistry elevates us to a higher place.
Keynote presentations will be given by Glen Keane as well as Pixar Co-Founder Dr. Alvy Ray Smith. Smith co-invented the concept of the alpha channel and directed the milestone “Genesis Demo” in the 1982 film Star Trek II: The Wrath of Khan. His website is here.
About Glen Keane:
Glen Keane is known for drawing and animating the Beast in Disney’s Beauty and the Beast, Tarzan,and Aladdin. Recently, through Google’s Advanced Technology and Projects group, he directed and created Duet, now available as a cinematic version of a future, interactive, hand-drawn animated story for mobile phones.
Acclaimed animator Glen Keane unveiled a first look at his latest and most personal project to date, DUET, as part of a special ATAP (Advanced Technology and Projects). Animated in its entirety and directed by Glen Keane (former Disney animator and creator of such beloved characters as Ariel, Beast, Aladdin, Pocahontas, Tarzan and Rapunzel), DUET tells the story of Mia and Tosh and how their individual paths in life weave together to create an inspired duet. The unique, interactive nature of the story allows the viewer to seamlessly follow the journey of either of the two characters from birth to adulthood. DUET is the third in a series of Spotlight Stories, which is a new way of telling stories on mobile devices. The stories blend world-class artistry with innovative rendering and interaction technology for mobile to create a new canvas for the next generation of storytelling. DUET is the first traditionally animated, hand-drawn film to debut as a Spotlight Story. The film offers a glimpse into what’s possible on mobile devices, a rich,modern canvas for creative expression and immersive works of art and technology.
DUET will officially launch later this year and will be available on all capable devices with proper hardware capabilities and OS version higher than Android 4.2.
A 38-year veteran of Walt Disney Feature Animation, Glen Keane is most noted for creating and animating such legendary Disney characters as Ariel in “The Little Mermaid”, Aladdin, Pocahontas, the Beast from “Beauty and the Beast”, and Tarzan. Glen also served as Supervising Animator and Executive Producer on Disney’s 2010 box office hit, “Tangled”. In the spring of 2012, Glen decided to leave Disney Studios in pursuit of further artistic exploration. In his departure letter he stated: “I am convinced that animation really is the ultimate art form of our time with endless new territories to explore. I can’t resist its siren call to step out and discover them.” In 2013, he launched Glen Keane Productions to pursue his personal projects.