Veteran ADR Mixer Doc Kane of Walt Disney Studios

Stage B – the birthplace of the creative voice track of many animated films including Cars 2, Toy Story 3, Tangled, Rango and many more, is also the ADR home of top industry filmmakers

In this exclusive SoundWorks Collection profile we talk with veteran ADR mixer Doc Kane at Walt Disney Studios in Burbank, CA to explore his extensive project credits and unique approach to capturing some of Hollywood’s most talented voices.

The Art of ADR

The art of ADR is much more than having a collection of microphones and knowing how to use them, although Doc’s mic cabinet is pretty impressive. It’s also more than having the latest and greatest hardware and software, but rest assured, Doc has all of the most modern bells and whistles.Perhaps even more important and some might even argue that it qualifies ADR as an art, is the sensitivity to the client.

ABOUT DOC KANE:
What has three letters, many aliases and is of major significance to the sound community? You guessed it: ADR aka Automated Dialog Replacement aka Additional Dialog Recording aka Dubbing aka Looping. All of these monikers are understood as the process of re-recording dialog that cannot be salvaged from a production. To make one thing clear, there is nothing automated about it. ADR is an art. And here to tell us more about the art is an artist whose name also has only three letters and many aliases but nonetheless has made a significant impact on the sound community.

His name is Doc Kane but most just call him Doc. He has over 300 projects under his belt and a slew of awards and nominations, including four Academy Award nominations.


Tom Hanks talks about the fact that the voice of Woody for toys and games is sometimes actually the voice of his brother, Jim. He tells a story about what it is like working on Stage B when he is recording the voice of Woody for the Toy Story films.

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