Category: People

Gary Owens Interview

Gary Owens performs in a skit at the 60th Primetime Emmy Awards with Lilly Tomlin as Ernestine.

Here is a very good interview from the Laugh-In DVD collection with Gary Owens.

He talks about how he got his start in radio and then television. Gary also goes into depth about his animation voice work, meeting Walt Disney, as well as his connection to Mel Blanc.

I remember running into him at the Howard Lowery Gallery in Burbank. He was very nice and told all these great stories.

Since the original video has been removed, I have replaced it with these.

Peter Bogdanovich Interviews Orson Welles (Audio)

More on photographer Bob Willoughby here

In the late ’60s and early ’70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances–including the director’s decision to compose an autobiography that he never got around to writing–kept the interviews out of the public eye. Finally edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles’s craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed.

Buy the book here.

Part 1

 

Part 2

 

Part 3

 

Part 4

 

Part 5

 

Part 6

 

Part 7

 

Part 8

 

 

Gregg Toland, Citizen Kane article in International Photographer.

Article in International Photographer, the forerunner of International Cinematographer Magazine.


International Photographer (Jan-Dec 1941)

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Deep Focus

Raising Kane

In a 1969 interview, cast and crew remember working with the mad genius Orson Welles on his groundbreaking first film.
Republished from the DGA’s Action magazine (May-June, 1969)

 

 

Magician: The Astonishing Life and Work of Orson Welles

The Lady from Shanghai (1947)

Update:The new Orson Welles documentary MAGICIAN starts in Los Angeles and New York City on December 10th! 

More info: http://cohenmedia.net/films/magician

orson-welles-magician

Magician: The Astonishing Life and Work of Orson Welles looks at the remarkable genius of Orson Welles on the eve of his centenary – the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. From Oscar-winner Chuck Workman.

With: Simon Callow, Christopher Welles Foder, Jane Hill Sykes, Norman Lloyd, Ruth Ford, Julie Taymor, Peter Bogdanovich, James Naremore, Steven Spielberg, Henry Jaglom, Elvis Mitchell, Beatrice Welles-Smith, Walter Murch, Costa-Gavras, Oja Kodar, Joseph McBride, Wolfgang Puck, Jonathan Rosenbaum, Michael Dawson, Paul Mazursky, Frank Marshall

Walt Before Mickey – Exclusive Trailer

From our friends over at DisneybyMark.

Walt Before Mickey, is a big screen movie about the life of a simple man with a big dream: Walt Disney. Set in the early 1900′s, the film is based on the book Walt Before Mickey that chronicles Walt’s early years and his rise to success. This feature film is being produced by Armando Gutierrez (Henry & Me), Jeff Rice (Executive Producer of End Before Watch, 2 GUNS, Broken City, Lone Survivor), Christian Vogeler (Silver Linings Playbook), Arthur Bernstein (Hitters Anonymous), Ben Everard (Keeping Time), and directed by Ari Taub (Last Letters of Monte Rosa).

The hardcover book Walt Before Mickey, written by Timothy Susanin, and its forward written by Diane Disney Miller, was the only book ever supported by the Disney family. “Walt remains a 20th century icon, and I am happy Armando is bringing his incredible story to the big screen,” says Timothy Susanin. “‘Walt Before Mickey’ is a fresh take on a classic American ideal, exploring a part of Walt Disney’s life that little is known about,” says Armando Gutierrez. A release date has not been set.

The film’s website is http://waltbeforemickey.com/index.html

Walt Before Mickey is a feature film production of The Dreamer Movie, llc. and is based on the book Walt Before Mickey by Timothy Susanin with foreword by Diane Disney Miller. This company is not associated with the Walt Disney Company

A second Biopic of Walt Disney is out. From Cartoon Brew.

As Dreamers Do, directed by Logan Sekulow (God Bless Vegas) and written by Wendy Ott, is described as “an art film for families.”

“This movie is a passion project for me,” Sekulow said in a recent press release. “Since before I went into film school, I dreamed of telling a story like this. Walt has been a lifelong inspiration, and I hope to share this often-untold adventure in a unique, creative and entertaining way. I’m a hardcore Walt fan, and we will not disappoint.”

It stars Olan Rogers as Walt Disney, Mark Stuart and Tyler Hayes as his parents Elias and Flora Disney, Ryan Dunlap as his brother Roy and William Haynes as Disney’s friend/business partner Ub Iwerks. Country crooner Travis Tritt narrates the film. Filming began earlier this month in Franklin, Tennessee, with a spring release date planned. The production is being documented on the official Facebook and Twitter pages.

Robin Williams in Back to Neverland

Robin Williams, Walter Cronkite and Jerry Rees prepare for the opening scene.

From JerryRees.com Go there for more great photos and information. I worked with Jerry Rees when I was at Walt Disney Imagineering. His is a very talented guy and is best known for the delightful Brave Little Toaster. He went to Cal Arts.

Written & Directed by Jerry Rees

Starring Robin Williams & Walter Cronkite

This award winning short film, combining live action and animation, played in the main theater at Disney/MGM Studios’ Animation Pavilion. Walter Cronkite, in his familiar role of trusted newscaster, set out to reveal the secrets behind Disney animation. Robin, in the role of Disney World tourist, volunteered to help with Walter’s show-and-tell. With a twinkle in his eye, Walter called on his assistant Tinkerbell to transport them to a magical limbo where anything could happen.

Step by step, Robin was transformed into an animated character – a Little Lost Boy from the classic film Peter Pan. Robin suddenly found himself facing the notorious Captain Hook. Experiencing everything from utter fear, to total joy, Robin learned that strong and believable emotions have always been at the heart of the Disney animation.

Rees, who began his career as a Disney Feature Animator, sums it up this way; “It’s not how you move the drawings, it’s how the drawings move the audience.”

Roy Disney, nephew of Walt Disney, and devoted keeper of the family legacy, discusses storyboards for the Captain Hook showdown with “Back to Neverland” Director Jerry Rees.

 

Glen Keane’s “Duet” at Google I/O Conference 2014

Interesting that a technology company like Google is turning to hand drawn animation.

A celebration of life through the hand-drawn line, Duet is the latest in a series of Google ATAP’s Spotlight Stories, interactive short films made exclusively for mobile devices.

Animator Glen Keane unveiled a first look at his latest and most personal project to date, as part of a special ATAP (Advanced Technology and Projects) Session at the Google I/O Conference in San Francisco, California. Glen gave a live demonstration and talk through the creative process behind Duet.

Animated in its entirety and directed by Glen Keane (former Disney animator and creator of such beloved characters as Ariel, Beast, Aladdin, Pocahontas, Tarzan and Rapunzel), Duet tells the story of Mia and Tosh and how their individual paths in life weave together to create an inspired duet. The unique, interactive nature of the story allows the viewer to seamlessly follow the journey of either of the two characters from birth to adulthood.

From Animation Scoop.

Shebang! with Casey Kasem on KTLA

Casey Kasem is best remembered as a radio personality and animation voice artist. But he also did television, including a KTLA show called Shebang! Produced by Dick Clark of American Bandstand, it was a music show like Shindig!, Hullabaloo, and Ready Steady Go!.

Casey Kasem was inducted into to the National Association of Broadcasters Broadcasting Hall of Fame in 1985.

The Doors make their first live television appearance lip-synching their first single “Break On Through (To the Other Side).”

Jacques Tati’s ‘Playtime’ Restoration Trailer

Jacques Tati’s Playtime has been restored in 4K and will be coming out in Blu-ray. Here is the new trailer.

The financial difficulties faced by Jacques Tati with his film “Playtime” released in 1967.
Interviews with Tati and American film director David Lynch.

Excerpt from the documentary “Once Upon A time … Mon Oncle”

Original trailer from 1967. Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.

 

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The reconstruction of the 70mm print of “Play Time”

More on Jacques Tati on his website tativille.com in English and French.

More from Russ Fischer at /Film.

 

UFOTOG, a new film by Douglas Trumbull

I have always been a great admirer of Douglas Trumbull. Here is the press release about his newest project.

SEATTLE, April 30, 2014 — Academy Award winner Douglas Trumbull, announced today his forward-looking ten-minute demonstration movie UFOTOG. Produced at TRUMBULL STUDIOS in western Massachusetts, the experimental sci-fi adventure written and directed by Trumbull in 4K 3D at 120 frames per second, demonstrates his new process called MAGI, which explores a new cinematic language that invites the audience to experience a powerful sense of immersion and impact that is not possible using conventional 24 fps or 3D standards.

UFOTOG is a dramatic short story about a lone man attempting to photograph UFOs. Trumbull felt that it would be ideal to premiere UFOTOG at Paul Allen’s iconic Seattle Cinerama Theater as the headlining event at the annual Science Fiction Film Festival Sunday May 11, 2014, in conjunction with special screenings of 2001: A SPACE ODYSSEY and CLOSE ENCOUNTERS OF THE THIRD KIND, both of which have alien contact stories. In addition, Trumbull will introduce his movie BRAINSTORM, on Friday, May 9, which marked the beginning of his quest for immersive cinema.

Trumbull has embarked on a project to write, produce, and direct using the MAGI technology for the production of his own feature films at Trumbull Studios. Through his comprehensive understanding of the needed technological advances, Trumbull has constructed a laboratory/stage/studio where he can shoot 120 fps 4K 3D live action within virtual environments, and see the results on the large screen adjacent to the shooting space. Trumbull announced: “This way, we can explore and discover a new landscape of audience excitement, and do it inexpensively and quickly – we are pushing the envelope to condense movie production time, intending to make films at a fraction of current blockbuster costs, yet with a much more powerful result on the screen.”

Trumbull Studios partnered with Christie to explore the potential of 3D 4K 120 fps projection, using the latest Christie Mirage 4K35 projection system. A special Mirage system will be installed in the Seattle Cinerama Theater for the premiere of UFOTOG, and the theater will soon offer the first public installation of Christie’s new laser illumination system in the fall of this year.

Trumbull Studios is committed to Eyeon Software, which has enabled the production of UFOTOG with the unheard-of impact of 3D in 4K at 120 fps, using Eyeon Fusion, Generation, Connection, and Dimension.

Trumbull’s pioneering work also included his Academy Award winning 70mm 60 frames per second SHOWSCAN process, which was widely acclaimed by industry professionals, and that led to the development of the film BRAINSTORM, which was to debut the process worldwide, with Trumbull directing. Yet in the days of celluloid film and the attendant high 70mm print costs and projector upgrades, the process did not get traction. Now, with digital projectors regularly operating at 144 frames per second for 3D, implementing much higher frame rates and increasing resolution is proving to be a cost-effective way to improve movie impact and profitability.

One objective of Trumbull’s initiative is to demonstrate to the film industry that the successful future of the movie-going experience needs to be a “special event” on larger screens, at high brightness, and with ultra-high frame rate 2K and 4K presentations that cannot be emulated on television, laptops, tablets, or smartphones. “Today, the multiplex is in your pocket…” says Trumbull, “…so younger audiences are enjoying the benefits of low cost and convenience via downloading and streaming, causing tidal shifts in the entertainment industry, and particularly in theatrical exhibition. Theaters must offer an experience that is so powerful and overwhelming that people will see the reward of going out to a movie.”

Trumbull is legendary for his ground-breaking visual effects work on films such as 2001: A SPACE ODYSSEY, CLOSE ENCOUNTERS OF THE THIRD KIND, and BLADE RUNNER, as well as his directorial achievements on SILENT RUNNING and BRAINSTORM and special venue projects such as BACK TO THE FUTURE – THE RIDE, and a trilogy of giant screen high frame rate attractions at the Luxor Pyramid in Las Vegas. Trumbull has more recently been pursuing what he believes can usher in a powerful transformation of cinema itself. At a time when the major studios have embarked on a business model to produce only tent pole-franchise-superhero-comic book action films, theater attendance is in decline. Trumbull believes that a jolt of high technology energy is needed to improve the impact of these expensive productions via photographic and exhibition technology that fully delivers the production value that is presently being throttled down by 24 fps, 2K resolution identical to television, and low brightness 3D on small screens.

Trumbull Studios includes equipment provided by Christie, Dolby Laboratories, RealD, Eyeon, Stewart Filmscreen, Composite Components, Abel Cine, Vision Research, nVidia, 3Ality Technica, Codex, Motion Analysis, Virident, Limelight Productions, and many more. Facilities include a shooting stage, production offices, multiple workshops, screening rooms, editorial, compositing, and sound mixing.

UFOTOG was written and directed by Douglas Trumbull, produced by Julia Hobart Trumbull and Steve Roberts, executive producers Donald Rosenfeld and Andreas Roald, starring Ryan Winkles, director of photography Richard Sands, original music by Claes Nystrom, produced at Trumbull Studios, with special production services provided by Eyeon.

RELATED LINKS
http://www.douglastrumbull.com