Oscar-winning cinematographer Robert Richardson ASC digs into the technical nitty-gritty of the large-format anamorphic film process that hasn’t been used in nearly 50 years.
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Oscar-winning cinematographer Robert Richardson ASC digs into the technical nitty-gritty of the large-format anamorphic film process that hasn’t been used in nearly 50 years.
At Expo 67, in Montreal, A Place to Stand was projected in 70 mm on a screen, using nine synchronized projectors – the beginning of Imax technology.